Then came fracture. The WAR Collection, inspired by an unreleased album, channeled conflict into image. Faces blurred, masks cracked, shadows loomed. The work carried the weight of a manifesto, as if each piece were an argument shouted through distortion.
For Sani, one of the founding figures, it was a final act. WAR was both culmination and prophecy. It revealed the tensions not only in society but within the collective itself: authenticity against performance, vision against control.
Shortly after, Sani was removed from the board. The WAR Collection remained as both testament and scar, remembered as the work that split the group and defined the cost of collaboration.